Paper Covered Flat Copper Wire
Wrapping materials: Power Cable Paper, High Density Insulation Paper, heat-resistant insulating paper, clupak paper, Nomex 410, all kinds of self-adhesive paper and other special insulation materials
As per Conductor Material:Copper , aluminum
Insulation thickness:Double paper covered (DPC) orTriple Paper Covered (TPC) ,According to Customer`s requirements
Conductor of Paper wrapped wire Aluminum Enameled Wires,Paper Covered Flat Copper Wire,Cable Paper Covered Insulated,Paper Covered Insulated Wire HENAN HUAYANG ELECTRICAL TECHNOLOGY GROUP CO.,LTD , https://www.huaonwire.com
About Paper Covered Flat Copper Wire
As per Inner Conductor: Paper wrapped bare
Bare Wire Round Wire:Φ1.00mm-Φ5.00mm
Rectangular Wire thickness a:1.00mm-5.60mm
Width b:2.00mm-16.00mm
Conductor of Composite wires
Max wrapping layers once: 24 layers for Paper Covered Wire
4 layers per wire and 16 layers outside for composite wires
We could offer products of special requirements on conductor size, insulation layer thickness, or wire number of the composite.
VR "black technology" to help out, "three bodies" debut drama stage
"Li Cixin, known as the 'father of Chinese science fiction novels,' is most famous for his acclaimed work 'The Three-Body Problem.' While many film adaptations of science fiction and other genres have struggled, the 3D multimedia stage play 'Three-Body' made its debut to great anticipation. After wrapping up its run in Kitakami, the play will be staged at the Poly Theatre on November 10th and 11th. Yesterday afternoon, director Liu Fangxuan delivered a lecture at Jinling Library, offering insights into the world of 'Three-Body.'"
"Huge investment, drones bring 'three suns' to life"
"The 'Three-Body' series, created by Li Cixin, has captured the imagination of sci-fi fans worldwide, with the first book winning the prestigious Hugo Award. It's rare to see science fiction works adapted for the stage, but 'Three-Body' has introduced numerous cutting-edge technologies. This production, based on the first part of the trilogy, cost over ten million yuan, marking a significant investment in the theater industry."
"Although it's not possible to match the visual effects of films, Liu Fang believes that stage plays offer unique advantages. 'The stage is three-dimensional, while the movie screen is flat,' he explains. He views the stage as a cube, allowing the audience to fully immerse themselves. 'We've wrapped the images around the top, left, and right of the theater, giving the audience a 270-degree experience—sometimes more powerful than watching a film.'"
"The stage play combines advanced technologies such as 3D projection, scrim screens, audio-visual effects, virtual reality, and drones. The high-quality visuals and innovative stage design challenge traditional theatrical forms. The 3D screen projections, combined with ambient lighting, create an expansive, multidimensional 'space' that captivates the audience."
"In the novel, the three-body civilization faces destruction during a 'three-sun event.' To recreate this scene, the team collaborated with drone agencies. Four large drones carry a massive sphere, flying from the stage into the auditorium. As for the climax involving the Nanshi cruise ship, Liu Fangxuan used sound effects of metal friction and live lighting to give the audience a truly immersive experience."
"After experiencing the stage adaptation, Li Cixin praised the production: 'It's very shocking. The sense of sci-fi and future conveyed through classical art forms is stronger than the illusions seen in movies and TV. They truly showcase the core of technology.'"
"Cold Science Fiction, Warm Emotions — Plot Changes Approved by Li Cixin"
"The 'Three-Body' novel is complex and lengthy, making it challenging to adapt into a two-hour play. However, the story has undergone some changes. When alien civilizations decide to visit Earth, how do humans survive? The play still revolves around this central theme."
"One of the biggest changes was merging the characters of Ye Wenjie’s husband, Yang Weining, and the villain Evans. This emotional storyline sparked debate among 'Three-Body' fans. Liu Fangxuan explained, 'Science fiction can be cold and emotionless, especially in the first book. But on stage, emotions are essential to better convey the story. This change aims to combine emotional impact with the acceptance of extraterrestrial civilization, creating a more artistic interpretation.' He acknowledges the concerns of fans but believes these changes suit the stage format better. 'I consulted Li Cixin during the adaptation, and he supported the changes.'"
"Attracting More Viewers Through Popular IP Adaptations"
"Besides 'Three-Body,' Li Cixin’s works like 'Tomb Notes' and 'The Lost Civilization' are also popular IPs. Why focus on big IPs? Liu Fangxuan believes it's an effective way to attract more audiences. 'If a suitable IP is adapted into a play, it can draw in loyal readers who may not be familiar with theater. Their love for the story encourages them to attend, lowering the entry barrier and promoting the spread of theater arts.'"
"However, not all IPs are suitable for stage adaptations. 'Proper nature is our first consideration. The story must be engaging, and we also evaluate whether it can be visually presented,' Liu Fangxuan said. His approach ensures that only the best stories make it to the stage."